Main Description

The first guitars you could call “Super Fat Strat®” appeared in the early 80s, normally produced in the Far East not by Fender®, but by companies like Ibanez® (making them not “Strat®” at all! But so similar in shape, design and functionality, this is what they’ve become known as over the years).

They were initially aimed at bridging the gap between the “vintage designs” that had proved so popular with the Fender® models over the previous decades in America, and the emerging styles of music which demanded higher levels of saturation and responsiveness from their pickup where the traditional single coil fell short.

Rather than treat the humbuckers as an afterthought, Far Eastern companies embraced them as the main event, offering the single coil in the middle position to allow for new and inventive switching systems when using the 5 way switch rather than as a true “usable” pickup on its own.

Whilst there’s no reason why you can’t use the middle pickup as nature intended in a standard setup, bear in mind that with most Humbuckers nowadays, you can do some great things with the switching that will offer up tones and settings which will be more in keeping with the “metal monster” ethos that the original Supers Fats were well known for.

It’s actually quite rare to see replacement pickguard suitable for a true Stratocaster® sporting this config, but it’s a hugely popular aftermarket modification for anyone looking to work with a higher output, aggressive setup, but without being limited to the gothic blacks, blood reds or garish, angular designs you’ll normally see on some of the originals from Japan or Korea.

With this plate, it’s possible to get the best of both worlds, a guitar that your familiar with, happy with the look, but now you can really push the envelope when it comes to pick up choice, everything from scorching over wound distortion humbuckers, right through the sweet and soulful Humbucker sized P90s – the Super Fat really is a players best friend when it comes to pickguards.

This plate is designed to fit Fender® and Squier® Guitars including the Stratocaster® built from 1963 until today, and any subsequent reissues that are built to those specifications, however, please note, these are not official Fender® parts.

Whilst we endeavour to ensure that this pickguard will fit the guitars stipulated within this description, there is no guarantee that your guitar conforms to these standards so it is advised to check the Technical specifications to ensure the correct fit.

Fender®, Squier®, Stratocaster® and Strat® are registered trademarks of Fender Musical Instruments Corporation, Ibanez® is a registered trademarks of Hoshino Gakki, Ltd and Axesrus® has no affiliation with FMIC or Hoshino Gakki, Ltd.

Why Can/Cant I move pot holes?

Right then - this has been in the offing for a while now, so probably worth explaining whats going on with the pot hole options!

We're, slowly but surely, switching all of our pickguard stock over to "No pot" versions - and that means we can drill them out to order - so if your in the mood for switching over to master tone, master volume? Just Volume? No holes? Or just moving the volume pot out of the way so you dont keep hitting the thing? You can - its an easy job, so its all done at no extra cost, and it gets you dangerously close to custom pickguards without the supidly long lead times and eye watering costs!

However - theres a few little caveats that are worth noting.

Returns

Lets get the elephant in the room out of the way first eh?

Once pickguards are drilled - theres no going back - so worth being aware that once its drilled, its yours - the pickguards come with a standard config loaded up, so whilst these are drilled to order, we will accept them back as a return/refund if you change your mind. (and obviously, if the plates shipped without any holes in there, no harm no foul - can come back!)

Any deviation from "the standard" (remember, thats not always 1V 2T "normal layout" though) - the pickguard is no longer returnable. Frankly, it makes selling the returns next to impossible. I wish it wasn't, but lets be honest - you can make some pretty weird setups here, so lets just be sensible about it. If its non-standard, its non-returnable.

So, its really worth using all the resources here to make sure its exactly what you want before commiting to buy the thing! Theres spec diagrams under the tech spec tab, theres photos of all the colours under the "Tortoise shell/whites/pearls explained" tabs - your as well informed with what your getting as you can be (and again, if in doubt? Just buy the thing without the pot holes and drill it out yourself - 10mm drill bit and a cordless drill - easy job - we'll even tell you where to put the holes)

Why cant i do it on all colours?

Put simply? Because some of the plates are already drilled out - we're switching the entire stock over as we get new plates in, but as you can imagine, its not exactly a quick process. Anything where you can customise, you'll be faced with the drop down menus to select what you want (and the picture updates to show what your getting) - anything you cant customise, will revert back to "standard" and show the "Please Note - The selected colour/material is currently not available for customisation" message - you can still order the plate, but you cant move the pot holes unfortunately.

What is Pickguard Style/Mount?
Rather then having multiple product listings on the site to cover "minor" variations within pickguards (especially in the more specialist stuff!) - we're just building them in as options within single products - so with common plates, like an Modern Strat? You can pick between left and right handed versions - more niche stuff? Like the Locking Trem plate - thats got loads more options in there, right down to pickup options (HBSCSC, SCSCSC and HBSCHB) - just keeps the site looking tidy, even if it does hide a few of the options a little deeper. Easier to dig deeper then have to trawl through 10 pages of completely irrelivent plates though!

Hole Postitioning

This is, despite my best efforts - dull as dish water! I'm describing the space between holes here, so dont expect anything life changing - but, worth having the details, and i'll try and include a few little tit-bits to watch out for. Just remember, that the holes are drilled out to 10mm, so they'll take Alpha, CTS and Bournes pots.

And in closing - Pickguards, once drilled away from the standard hole plan, come under the remit of Custom work and as always, if you've got any questions what so ever, please feel free to get in touch with us and we can talk through all the finer details of your proposed build.

Tortoise Shell Explained

You’ve probably noticed with the pickguards, we do A LOT of different variations in tortoise shells – and even then, we barely scratch the surface when it comes to completing the line-up.

Basically, Tortoise shell, originally, way back when, when it first started (long before the electric guitar was a thing) was just that – pieces of a tortoises shell, fixed together into a shape, and polished until semi-transparent (some of the early acoustic pickguards were actually made this way)

Now, obviously, none of us want to see a return to those practises, but seemingly, everyone liked “the look” – so with the advent of plastic in the early part of the 20th century, science found a cheaper way (it wasn’t until the seventies when trade in hawksbill turtle (the main source of Tortoise shell) shells became illegal!)

The first “plastic” Tortoise Shells were made from Nitrate plastics, usually Celluloid – and, frankly, it’s pretty gorgeous! Its semi-transparent, it’s got a sort of leopard skin look to it, and it soon worked its way onto guitars (again, most acoustics)

The problem is – Celluloid plastics are astonishingly flammable – they have a low point of combustion, and once they’re burning, they don’t go out until the fuels gone, or they flame is deprived of oxygen. As you can imagine, no one really liked working with Celluloid. It was risky to use (cutting = friction = heat) it was dangerous to store, and it wasn’t really suitable for the job at hand ( it changed colour when exposed to sunlight, it warped, it shrank, it was generally, pretty badly behaved!)
Never the less, it did eventually find its way onto electric guitars by the late 50s and early 60s, but was soon replaced for something more suitable and much safer.

Nowadays, you see Tortoise shells in either Polyoxymethylene (more stable as a material, but still very flammable) or PVC (which is fairly bomb proof, but does give off toxic fumes if burnt)

Now, getting to the modern day – Tortoise shell comes in 5 “variants” for us (ignoring the Celluloid offerings, they’re still out there, and great for historical accuracy, but just be VERY careful with them – not only in buying them/storing your guitar once its fitted, but also in actually sourcing the stuff, we’ve yet to find a factory who will even consider making a plate with it (too big a fire risk) and even when we do, its very cost prohibitive (more expensive to buy the things then we could ever dream of selling them for!) – there are guys out there making them though – but as a rough guide, expect to pay upwards of £150+)

Pearls Explained

Pearloid plates are similar to the tortoise shells, but theres a little less subtly between them, and they dont really have anything overly interesting in their history - as far as i can tell, they're always been PVC, and the variations in colour and pattern are pretty easy to follow.

So lets take a closer look.

"Whites & Creams" Explained

Ok, even i'll conceed that this isn't the most thrilling of toics at this point, but there is actually plenty of confusion when it comes to the "off white" pickguard colours, so seeing as we're ticking off pearls and tortoise shell varients, we might as well address the parchments, mints and creams too.

So lets get stuck in